More than the mere
understanding of new
technologies, the way
of understanding
characteristics of the
Web age is through
observation of human
nature: to feel the
impact of the silent
consideration of key
concepts such as time,
space, and memory.
September + October 2009
[ 4] Bell, G. and J. Gray.
“Digital Immortality.”
Communications of
the ACM 44, 3 (2001):
28-31.
interactions
standing of new realities. The
fascination with virtual reality and computer games was
shown in “The Matrix,” where
robots rule the planet and keep
humans plugged into a virtual
world. However, the work of Bioy
Casares predates the Wachovski
brothers’ story by half a century.
Love stories reflect deep
human values and could be
viewed as a rich context for
exploring the intricacies of an
era in which technology gradually replaces tasks that were the
privilege of man and nature.
The Invention of Morel describes
the romance of two lovers that
coexist spatially in two different temporal dimensions. Bioy
Casares’s theme has become
ever more relevant to a modern society bound to images
and videos that are becoming
a dominant form of content on
the Web. The search for eternal love weaves an unexpected
story, intertwined by ingredients
essentially human—jealousy,
uncertainty, fear, hope, and
solitude—and having a virtual
world as scenery. It is a story
told with irony, marked with
metaphysical questions about
life, death, and eternity. And it
pushes the reader to speculate
on the boundaries between fantasy and reality. Bioy Casares
relies upon a virtual world,
in which all the characters,
except the narrator, are copies
of human beings and objects of
nature.
“These walls—like Faustine,
Morel, the fish of the aquarium, one
of the suns, one of the moons, the
book by Belidor—are projections of
the machines.”
The quest for immortality and
eternal love led Morel to create
a virtual reality, with ideas that
float today as real possibilities
backed by scientific and technological developments.
“With my machine a person or
animal or a thing is like the station
that broadcasts the concert you hear
on the radio. If you turn the dial for
the olfactory waves, you will smell
the jasmine perfume on Madeleine’s
throat, without seeing her.”
And the project of Morel has
evolved along this line.
“But if you turn all the dials at
once, Madeleine will be reproduced
completely and she will appear
exactly as she is; you must not forget I am speaking of images extracted from mirrors.... An observer will
not realize they are images.”
As the technology evolves,
computing and networking technologies will be able to provide
enough computational power to
create virtual worlds realistic
enough to be mistaken for the
real thing, like ‘Matrix”-style
simulated realities. In the story,
the narrator becomes confused
with the copies and makes the
following comment: “I do not
know which flies are real and
which ones are artificial.”
In order to support the growing integration of physical
systems and computing, novel
visions will be a key factor in
understanding the new environments. The cyber-physical systems are bound to create pervasive systems that will profoundly shift the way humans interact
with things, such as robots truly
interacting with people.
To keep the lovers together,
Morel conceived his plan.
“We shall live in this photograph
forever. Imagine a stage on which
our life during these seven days is
acted out, completed in every detail.
We are the actors. All our actions
have been recorded.”
A published scientific project proposed what was called
“digital immortality” [ 4]. The
central point is the real possibility of storing all the information
a person has seen, read, heard,
or talked about during his or
her lifetime. This would pave
the way to a partial immortality, where a person would be
reduced to a mass of information and preserved through the
storage of digital information.
Thus the “information side”
of a person is eternal and can
even be copied indefinitely. In
the novel, the narrator—the
only human being alive on the
island—realizes that his interaction with Faustine occurred in a
virtual world and observed:
“To be on an island inhabited
by artificial ghosts was the most