designing and building new
forms of content provision.
The aim is to make the entire
newspaper “programmable.”
Programmers will be able to
mashup the paper’s structured
content—reviews, event listings, recipes, and so on. This is
a great opportunity for those
immersed in information and
experience design.
I love the materiality of a
good broadsheet newspaper
and the magazines that I read.
It annoys me just a little that,
thanks to my beloved Kindle,
I don’t have newspapers lying
around the house to stuff my
rain-sodden shoes (yes, it rains
in California, too!). But I am
also looking forward to a world
with better designed digital
news formats. What we need is
some technical savvy, a design
sensibility, and a deeper human-centered understanding of the
gestalt of news consumption
between and across representational forms. We need something more than the current
state of the art, which offers us
only the most superficial and
easy-to-implement of technical
convergences. We need more
than the horseless carriage of
digital news.
July + August 2009
interactions
for slow-burn stories to linger,
while fast-burn stories are
updated with new content?
4. Device design. My phone
screen is just too small for me to
really luxuriate in a good story,
and layouts are not designed for
effective skimming. Yesterday I
cursed out loud as I gave up on
a page that was taking way too
long to load—although the story
was tantalizingly titled it was
beyond my reach, thanks to a
combination of a slow network
and a lot of pretty but slow-to-download content. I am curious
what comes after the Kindle?
Is electronic paper or Xerox’s
promised reprintable paper
going to be a reality? I want the
large-gesture, embodied experience of the broadsheet and
decent screen real estate for laying out content.
I am not alone in wanting
some good design heads on
these problems. We should better understand the variations
that exist in how people read,
share, tell, and retell news. In
addressing people’s everyday
news-consumption practices,
a 2008 Associated Press ethnographic study cited email
and Internet-based sources
as a mainstay in many young
people’s news experience.
However, these interviewees,
like many in a study I am currently running in the Bay Area,
all talk about the “work” of
reading the news online and say
that “news fatigue” is increasing. What this seems to boil
down to is that there are plenty
of places to find news on the
Internet. But in this bacchanalian information glut, the shallow story dominates; it is often
difficult to find the follow-up to
a news item; and there is a lot
of repetition. To the last point,
the Project for Excellence in
Journalism observed in its 2006
“State of the News Media” report
that though 14,000 unique
stories were found on a news-aggregating site in one 24-hour
period, there were in fact only a
handful of discrete news events.
There is vastly more content
available, of course, and things
have improved somewhat since
2006, but that other content is,
relatively speaking, hard to find.
In design terms, online news
is mimicking the advancement
of the automobile, and we are in
the equivalent of the late 1800s
and early 1900s—in shape and
form reproducing the horse-drawn carriage, not yet having
found an aesthetic reflective
of the new technology’s infrastructure and capability. I
laughed out loud when the U.K.’s
Guardian announced on April 1,
2009, that it was going to abandon its print publication in favor
of Twitter-based, 140-character
stories. Whoever came up with
that joke understood the issue
at hand—and prompted me to
think about media fads and
how we need to move across the
available channels and representational forms, and match
the media and the story for best
effect. Many forms of a story—
summary, snippet, and in-depth
coverage—are needed to really
engage and inform a populace.
It’s not just about dissemination;
it’s about information, communication, and channel design.
Newspaper companies are
on board with enlisting others
to aid in the design of the next
generation of news forms. In
early 2009, the New York Times
Developer Network hosted
its first API seminar to start
ABOUT THE AUTHOR Elizabeth
Churchill is a principal research scientist at
Yahoo! Research leading research in social
media. Originally a psychologist by training,
for the past 15 years she has studied and
designed technologies for effective social
connection. At Yahoo, her work focuses on
how Internet applications and services are
woven into everyday lives. Obsessed with
memory and sentiment, in her spare time
Churchill researches how people manage
their digital and physical archives. She
rates herself a packrat, her greatest joy is
an attic stuffed with memorabilia.
DOI:
10.1145/1551986.1552001
© 2009 ACM 1072-5220/09/0700 $10.00