demand the next new thing
(you only have to look at how
people buy and discard mobile
technology) or how they want
to buy new things all the time.
Look at the cars people drive
in HK: It’s rare to see anything
older than the mid-1990s.
Patrick: This trend makes
me wonder how quality is
addressed. Indeed, we are all
struggling to get people to
recognize our work here. It all
seems like an assembly line.
The other day a friend from
Europe was buying a leather
bag in HK, and to her surprise
the sales person said, “Miss,
this is real leather! Don’t worry,
it’ll last for at least a year.” My
friend was rather confused, as
she expects a leather bag to
last at least 10 years (
regardless of her using it that long).
In another case, while she was
buying a mobile phone, the
shop assistant said: “I change
my mobile phone every six
months.” I recall hearing this
comment quite often in HK,
while in Europe I quite often
heard a different story: “I’d like
a very simple to use yet good-quality phone that does phone
calls and SMS well.” Although
this is not shared by everyone
in the respective cultures, this
serves to make a point on the
two extremes: new, fully featured products to be used for
a few months versus simpler
products doing what I need
well.
Alexis: Users here always end
up buying a cheap product that
doesn’t necessarily meet their
needs over a costlier product
that is exactly what they want.
That’s my take from discussions with business and marketing. However, my manager
would say, “Well, the thing is
that we need to stick with the
budget, we cannot get all the
research that companies do in
the U.S. or Europe...”
Sue: The story might be
true, but not entirely. You
might want to know that eye-track studies tell us that “the
Chinese prefer a presentation
if [it is] loaded with visual
stimuli.” [ 1] The ads and other
pop-ups are treated as information, while Westerners would
see them as annoyances and
bad design.
Kent: On the other hand, in
the seminar organized by the
HK Business of Design Week
in 2008 in reply to the question, “How do we keep up with
the speed to innovate before
the competition,” Larry Keeley
said that if we are working
with tight deadlines, then
most probably we are doing
very similar products as the
competition—no innovation at
all—thus the need to rush [ 2].
By doing your own projects you
will have some lead time to
explore the concepts, try and
test them, and develop without
trying to launch before another
company, because your proposition is more compelling and
innovative.
James: That’s where research
can help a lot. After all, if you
don’t know about what you
are going to design, you won’t
find a good solution. I think
we need to buy into the idea
that research requires strategic
movements and identification
of implications to the design
and user experience, and it ultimately adds value to the product. Besides finding new niches,
one must identify needs that
are not yet met.
Conclusion
In this highly challenging
context, one can conclusively
identify a tendency of companies wanting to jump straight
into design without asking
themselves if there really is a
need for an endless number of
products.
On the other hand, our consumer society seems to not
question this, and is demanding more variety than ever.
Nonetheless, Hong Kong is a
vibrant market ready to try
out new business. There is lot
of action, but too little reflection. Maybe interaction design
should be discussed around
dim-sum tables more than in
meeting rooms.
[ 1] Hotchkiss, G. “A
Tale of Two Cultures.”
http://searchengineland.
com/a-tale-of-t wo-
cultures-11356.
Acknowledgements
I’d like to thank all the participants
in our interaction design meetings. A
special thanks to Jane Ngai and Paul
Lee, who helped in framing this article and in collecting the input, and
Alfreda Yu, Belle Liu, Daniel Szuc,
Harry Llufrio, Nicolas Lassus, Nicole
Schadewitz, and Sebastian Ho.
ABOUT THE AUTHOR
Pedro “Adler” Jorge is an
interaction designer with
a background in design,
technology, and user
research. He has designed
Web-based collaboration tools and led
international workshops on interaction
design and participatory design. Currently
at Philips Design in Hong Kong, Adler is
working on multimedia devices and desktop applications. In his role as a senior
interaction designer, he also questions current design processes and the integration
of design, business, and engineering to
improve the company’s UX strategy. Time
permitting, he would like to continue his
research work on design processes for collaboration, as well as learn the piano.
[ 2] Keeley, L. Speech
at Re-inventing with
Design 2008 seminar,
June 19-21, 2008.
July + August 2009
DOI:
10.1145/1551986.1551999
© 2009 ACM 1072-5220/09/0700 $10.00
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