(Top Image) A page of digital alarm clock concept sketches that presents variants of a single theme read from left to right. This sketch presents loose, iterative drawings at the top and more-refined concept renderings at the bottom. (Drawing and photograph by Mark Baskinger and Ki-chol Nam) (Bottom Left) A matrix of form studies for a digital alarm clock formally organized into a matrix that builds from left to right and top to bottom. (Sketch and photograph by Ki-chol Nam) (Bottom Right) A page of notational narrative sketches of physical and digital interaction for a digital alarm clock. (Sketch by Mark Baskinger)

structured narrative sketches, the conclusion or ending point is determined by the layout with a clear demonstration that one element on the page is in fact the key concept. A sequential progression of sketches across the image plane or page space will provide cues for orientation as well as indicate some form of conclusion. By structuring parameters for the viewing experience through composition and hierarchy of drawn elements, the body of the work can manifest in a various ways. Again, the ultimate goal is to com-

municate ideas and thinking to others, so the author must know to whom they are communicating in terms of knowledge of the subject, familiarity with design processes, and visual/aesthetic sensitivity. Understanding both the character of the audience and the format for presentation will keep the narrative focused and succinct.

Anatomy of a Compelling
Narrative Sketch
Narrative sketches differ from
ordinary sketches in the sense
that they are structured to